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The dominant, traditional, western notation is only one aspect among many forms of expression in the field. We are interested in unconventional notational formats and graphic scores, as these represent visions of sound shapes that are open to diverse, idiosyncratic ways of interpreting and working. Works in which improvisation, composition, interpretation, performance and sound art merge require relevant modes of representation.

In this first edition of Graphème artists Tomomi Adachi, Lotte Anker, Tony Buck & Lloyd Swanton, Marina Cyrino, Tina Douglas, Mazen Kerbaj, Magda Mayas, Phill Niblock, Jon Rose, Ute Wassermann and Nate Wooley work with photography, drawing, graphics, mixed media and object scores, finding ways to notate and share personal techniques and sonic elements.
We intend to offer a much needed alternative to most current modes of publishing in a practical, accessible and approachable way.

In addition to the publication of Graphème, smallest functional unit plan to present concerts, symposia and a festival within which composers will be given the opportunity to reflect and discuss their work.